As genealogists, we spend hours pulling records, analyzing handwriting, and piecing together family connections. Most of that work happens in the collecting stage, we hunt down wills, census pages, land deeds, and church registers. But it isn’t until we write that we begin to see what those records are really telling us.
Writing forces a shift in how our brains work. Collecting records is like gathering puzzle pieces. Writing is when you finally flip the pieces right-side up and begin to see the picture. Patterns emerge that you hadn’t noticed before. Gaps in the timeline become obvious. A stray witness on a deed suddenly matters because you’re weaving the story instead of cataloging the fragments.
I saw this firsthand with my ancestor Daniel Hollingshead. I had collected a mountain of records: tax documents from Cheshire, court cases, marriage records from Barbados, and family land deeds in New Jersey. It wasn’t until I began to write his story that the threads pulled tight. Suddenly, the narrative was clear:
- A grandfather’s failure as a tax collector plunges the family into crisis.
- An uncle flees to Barbados after funds are stolen.
- A young Daniel joins the military, is posted to Barbados, and marries into sugar wealth.
- He returns to New Jersey with enslaved people, rising socially but carrying moral shadows with him.
The facts were always there in the records. But the story, the irony, the Atlantic World connections, the moral reckoning , only emerged when I tried to explain it in writing.
That’s the hidden power of writing: it doesn’t just preserve what you’ve learned, it teaches you something new. Writing sharpens your research questions, reveals new avenues to explore, and brings ancestors to life in ways a database never can.
So the next time you feel stuck in the research grind, try writing a short biography or family sketch. Even a rough draft will show you what you’ve missed. You might be surprised at what discoveries are hiding , not in the archives, but in your own words.
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